Silo118 Presents RIVER; a Solo Show by Michael C. Armour

Posted on Jan 8 by SEASONS Magazine


Black Crop Circle, by Michael C. Armour.

Keyboard, by Michael C. Armour.

From January 12 through March 14, Silo118 (118 Gray Ave.) presents Michael C. Armour’s works in his first one-person show in almost two years.  Armour, who has his studio in the top two levels of the Silo118 gallery space, will show oil paintings and works on paper.

“In the end, what I find most spiritual about art is the time a person can spend looking at it, contemplating it,” says Armour. “The divisions of space, the intelligence of color, the art of the line, the uniqueness of image, these captivate and move me whether I work in abstract, figurative or landscape.  In each I find the same challenges and beauty that come from the interplay of light and space and simplicity; there is little about the modern world that makes these considerations irrelevant.”

Art is mysterious to Armour. “I am rarely able to remember the process of making it and I feel very little authorship of it.  I can tell if I like it or do not, and can say why, but I cannot tell how it is mine, or of me.”

“The pieces in this show are explorations,” says Armour.  “They are journeys down a river.  The impulse to choose this tributary or that, to lag or rush, take the white water or move beneath trees, to stare beneath the surface or hold to the spell of its reflections—all art is to me a transcription of these impulses, these movements, these moments. What I care about most in my own work – and in all work I like—is how deeply felt or contemplated the pieces of this journey and how honestly recorded.”

Armour’s preferred medium is oil; he also sketches prolifically—using charcoal, pencil, pastel, colored pencil, paint, ink, tape and collage. His style is contemporary, subjects ranging from the representational to the abstract. His works on paper show his process; some images are sequential and others are solitary thoughts. As a group they are a journal of an artist’s development.

Danielle Hazlett


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