Tag Archive for 'Santa Barbara Seasons Summer'

New Art Installed in New Cuyama

On May 25, Joseph Centeno Aquatics Complex was pleased to dedicate this beautiful Douglas Lochner relief sculpture on its outer west wall just in time to kick off its summer swim season. Titled “Let’s Swim/Vamos a Nadar,” the sculpture is 18 feet long and backlit by low-voltage LED lights. Lochner’s submission was chosen by a panel of judges, and funded through the County Percent for Art project–an initiative that allows 1% of construction costs from the general fund to be dedicated to the installation of art in public buildings. With its playful and sleek design, this sculpture is sure to delight all who see it.

-Alex Francis

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From Biodynamic Vineyard to Brilliance in a Glass: The Evolution from Grape to Wine

 

by Mary Ann Norbom

The clinking of glasses, the swirling of wine, the breathing in of delectable aromas, smiles and opinions shared among friends and strangers. That’s the tasting room experience thousands of people enjoy in Santa Barbara County each year. And basic to the beginner and the connoisseur, every oenophile knows that how wine tastes is a reflection not only of the winemaker’s skill and style, but also of how and where the grapes were produced.

At the charming Qupé Tasting Room in Los Olivos, a section of shelving displays wines made from grapes grown under certified biodynamic farming practices. Bio what? you’re probably saying. “Biodynamics is a more intense form of organic farming,” explains Qupé owner/winemaker Bob Lindquist. “It brings a real sense of place to the wine. So much about wine is about the soil; you want it to have a lot of life in it.”

The practice dates back to 1924, credited to an Austrian named Rudolf Steiner, who was the unlikely combination of both scientist and spiritualist. In a series of presentations to German farmers, he spoke out against the use of chemicals in agricultural fields and implored those growers to understand how the movement of the planets impacted their crops. A true biodynamic farm—whether it is growing grapes or corn—has to be a self-contained and self-sustaining organism, Steiner proposed.

Photo by Derek Johnson

Bob and his wife Louisa Sawyer Lindquist, owner/winemaker of Verdad, are two of the most high-profile local champions of biodynamics. The couple’s 40-acre Sawyer Lindquist Vineyard is 100% biodynamic and is the source for about 75% of Verdad’s production of Spanish varietals, like tempranillo, and 25% of Qupé’s famed Rhone varietals, including syrah and grenache. At their lovely tasting room, Qupé and Verdad wines that began their lives at Sawyer Lindquist Vineyard are so labeled. The retail shop also carries Ethan wines, produced by Bob’s son, who is often found behind the counter pouring the day’s selection. His self-named label’s syrah and grenache are also products of Sawyer Lindquist Vineyard grapes.

“I know it sounds ridiculous that cosmic forces can impact the taste of a wine,” Louisa laughs, “but just like the alignment of the planets affects the tides, these magnetic forces have powerful influences on the way things grow. I’ve found that people with scientific backgrounds get it right away.”

Having a PhD isn’t a prerequisite for “getting it,” however. “I was in a bookstore with my son not long ago and began glancing through an old Farmer’s Almanac,” adds Louisa. “It was a revelation how traditional it is to consider the planets when you’re deciding when to plant and when to harvest.”

Photo by Derek Johnson

Vineyards employing biodynamic farming practices are quite common in France and Germany and, to a lesser extent, in Italy, Spain and other parts of Europe. There are still just a few practitioners in the United States, with the majority in Oregon south to Mendocino, CA. Santa Barbara County has several devoted followers (listed at right), and the number is growing.

At Sawyer Lindquist Vineyard, it’s easy to see the practice in action. In February, a herd of sheep was on hand, busily weeding between the rows of vines. They leave a natural fertilizer behind, by the way. Organic barley, as ground cover, naturally increases nitrogen in the soil and controls erosion in wetter years. Six strategically placed owl boxes attract these nocturnal birds of prey, whose job is to keep away ground squirrels and gophers that are detrimental to the crop. Two insectaries attract beneficial insects, such as ladybugs and bees.

“Plants are living beings that are influenced by their surroundings,” says Bob. “Our vines are healthy and happy and brighter.”

Louisa concurs, “You can see it in the leaves. Ours are so green and translucent. Healthy plants lead to better fruit, which results in better wine.”

Photo by Derek Johnson

Louisa first suggested planting the vineyard using biodynamic practices when the couple purchased the property a decade ago. The Lindquists’ good friend, Steve Beckmen, had already converted one of his winery-owned vineyards to biodynamic and was sold on the results.

“Louisa was definitely the spark, I was on the fence,” confesses Bob. That all changed in 2005 when he was on a sales trip to the U.K., where a colleague invited him to come along to a seminar about biodynamic vineyards. Following the presentation, the two men and a few others went to dinner and discussed the concept late into the night. “It must have been fate,” Bob says. “I got back to my hotel, and I admit that I think I drunk-dialed Louisa and told her she was right. We should go biodynamic.” The vineyard was planted just months later and produced its first vintage in 2008.

Soft-spoken Beckmen, who owns the Los Olivos-based Beckmen Vineyards(another producer of outstanding Rhone varietals) with his father Tom, is hesitant to be called a pioneer, but their Purisima Mountain Vineyard, at 125 acres, is the largest biodynamic vineyard in the county. “It definitely helps the quality of the wine,” Steve insists. “There’s a certain feel or texture, a fullness that comes from these grapes, because they ripen better.” To him, taste is not the only reason that the wine consumer should take notice, however. “Consumers should care about what they put into their bodies, and we don’t use any chemicals.”

It does cost more to farm this way, however. It’s far more labor intensive, which can add 15 to 20% to the cost. That’s just one of the reasons not every vineyard owner or manager, and certainly not every winemaker, agrees that biodynamic farming is practical. There’s also a sense that this is all a lot of hocus pocus, say many. Bob Lindquist understands the reticence and agrees, “there is a certain leap of faith” taken by subscribers to the practice.

The proof, though, is in the bottle, which brings us back to that tasting room. “The taste is very expressive and more vibrant,” says Louisa Lindquist. “There is such a broad spectrum of flavors in these wines. The taste is so alive.” Can she herself taste the difference between wine from conventionally farmed grapes and one from a biodynamic crop? “I think I can,” she says, avoiding even a hint of winemaker bravado. “There is a liveliness to the wine. I really do believe that a consumer with an astute palate can taste the difference too.”

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Santa Barbara Greek Festival

by  Cheri Rae

With all the talk these days about Greek austerity measures, we Santa Barbarans can only wonder what could be going wrong in that ancient Mediterranean land. For most residents, the closest we ever get to Greece is the annual Santa Barbara Greek Festival held at Oak Park. It’s one of the most joyful weekends of the summer—an epicurean celebration of sumptuous foods, distinctive drinks, soulful music, lively dancing and memorable costumes.

And festival organizers assure us they’re not about to go all stoic on us this summer in Santa Barbara. A tradition for nearly 40 years, Santa Barbara Greek Festival won’t cut back on its 39th annual presentation of Greek food and culture to the community.

The festival originated in a fundraising brainstorming session with parishioners of St. Barbara Greek Orthodox Church, long before they built the remarkable Greek village sanctuary nestled into the Mediterranean foothill setting.

Longtime festival director Mike Pahos gives full credit to Helen Stathis for coming up with the idea that started it all. “She said, ‘You know, on the Saturday before Fiesta week, there are a lot of people here in town, because Fiesta starts on Sunday, but there is not much going on. Let’s have a little picnic at Oak Park; we will serve Greek food, have music and everything, and we will call it The Santa Barbara Greek Fiesta BBQ,’” Pahos recalls.

Photograph by Nell Campbell

”The first festival was from 11 a.m. to 4 p.m., and afterward, even though we all fell, exhausted, to the floor, we were pleasantly surprised that everyone seemed to enjoy the food, the singing and the dancing.”

That single fundraising barbecue grew into a major annual event for the parish, requiring months of preparation—including planning, publicity, cooperating with a maze of bureaucracies, cooking up old family recipes, and selecting and presenting an array of talent on two stages for two full days of non-stop entertainment. Add managing a small army of volunteers who run an assortment of booths—from the labor-intensive food line to the well-oiled machine that is the pastry booth, the boutique with fine jewelry and even the small chapel where religious items are offered—and the parishioners certainly have their work cut out for them!

Pahos notes an unexpected aspect of Santa Barbara at just the right time that helped ensure the success of the Greek Festival, “There was a very active folk dance community in Santa Barbara, and those dancers were a constant presence on the dance floor, which taught us a valuable lesson: never stop the music!” When the late, great Plaka Restaurant was founded—which featured owner George Alexiades performing his famous table dance—many Santa Barbarans learned the art and considerable fun of Greek dancing. And they couldn’t wait to show off their skill every summer at the Greek Festival.

Photograph by Cheri Rae

The rest is history. The Greeks were joined by the Italian, the German, the Thai, the Chinese, the French, the Caribbean and the Jewish communities—all of which produced similar festivals at Oak Park. “Summer in Santa Barbara was filled with ethnic festivals, unique in the entire country,” says Pahos. “It was magic.”

The heyday of Santa Barbara’s ethnic festivals was a special time of unique collaboration among the festival chairs, who would meet once a month to share notes, work with the police and health departments and hammer out the many complex issues that arose in running their shows. They agreed to use local vendors whenever possible and freely exchanged vendor information with all at the table. As Pahos observes, “We never considered ourselves competitors, but part of a unique alliance; each of us could do better because of the grand scope of the different festivals, all at the same place.”

But for various reasons, one by one all of the ethnic festivals dropped out—though the French Festival will be back this year after a hiatus. Luckily the Greek Festival continues going strong. Planning has been underway for months—lining up talent, tweaking the menus, getting ready for the yearly bake-a-thon of baklava and other distinctive Greek treats.

Photograph by Nell Campbell

Now that the original ethnic festival at Oak Park is one of the last ones standing, it has only strengthened the resolve of the younger generation to carry on the traditions founded by their parents. Pahos’s daughter Maria helps run the festival these days, and Helen Stathis’s daughters Patti and Karen take their places as singers on the entertainment stage—and since they were in elementary school, Stathis’s grandchildren have staffed booths and entertained as dancers, musicians and singers. Of course, they’ve been joined by hundreds of additional volunteers over the years—and this one is no different.

The ancient Greek Epicurus (342–270 B.C.) observed, “Not what we have, but what we enjoy constitutes our abundance.” So even if times are tough in the center of the Hellenic world, here in Santa Barbara, we can be Greek for the weekend at this classic family affair, July 28–29. No belt-tightening necessary—after enjoying all those Greek treats, it wouldn’t be possible anyway.

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Cyclists Create Community Connections with Bike Moves


In our summer issue, our Sustainable Seasons columnist Sigrid Wright explores the eclectic community of Bike Moves, a multi-aged group of bike enthusiasts who dress up according to a theme once a month and ride around downtown. Check out the full article below, and maybe the pictures will inspire you to don a cape, hop on your two-wheeler, and join the fun. The next Bike Moves event is Thursday, June 7. Click here for details.

Sustainable Seasons: Bike Moves

By Sigrid Wright

(Santa Barbara Seasons, Summer 2012)

A 30-something man rides his bike down State Street dressed as Bill Nye, the Science Guy. Decked in a short-sleeved dress shirt with his hair slicked back, he pulls a tag-along, from which a makeshift stereo blasts music. His wheels spin with neon green lights as he joins hundreds of other bicyclists dressed in similarly outrageous gear.

This is Bike Moves.

Coinciding with downtown Santa Barbara’s 1st Thursday celebration, Bike Moves is a monthly almost-leaderless gathering of bicyclists: everyday commuters, hardcore cyclists, casual riders, parents, kids.

The idea, says one rider, is to “shift the culture by taking something that people might think of as threatening—like hundreds of bicyclists—and creating something whimsical and fun.

Each month, Bike Moves centers around a theme, often tied to a holiday (Night of the Riding Dead for Halloween), a movie (Lord of the Chain Rings) or a cultural motif (Bill Nye, the Science Ride). The month when Empire Bikes Back was the theme, Darth Vaders and storm troopers took over the streets, and those who had light sabers stopped to duel.

“The best themes can be loosely interpreted, with costumes pulled together from a thrift store,” says Kent Epperson, coordinator of CycleMAYnia, a month-long celebration of bicycling. “One of my favorites was Shotgun Wedding. The idea of a bunch of people dressed in wedding outfits on bicycles was just so over the top.”

Unlike in other communities that host regular Critical Mass rides to advocate for bicycle rights—such as San Francisco and Portland—the confrontational reputation of Critical Mass doesn’t fit with Santa Barbara’s style, says co-founder John Hygelund. “From the beginning, our goal has been to be part of the community, having a good time but following the rules of the road. We don’t want to create a situation where we’re riding through red lights and aggravating motorists.” Instead, Bike Moves focuses on creating a bike culture in Santa Barbara and being “fun and welcoming to new people,” says Hygelund.

While some riders are athletic, “Bike Moves itself isn’t an athletic event. You ride a mile or so, have fun, cruise around. For people who don’t bike much, this might get them going. Maybe they’ll start biking to a friend’s house or to work once a week.”

Riders start at a downtown location every 1st Thursday at 7:30 p.m., head up Santa Barbara Street to Arlington Theatre, loop back down State Street and end up at the pier. Here everyone circles up for Bicycle Sumo, a light-hearted agility contest in which pairs of volunteers ride in tight circles around each other.

While it is free to participate in the ride, many of the events end in some prearranged occasion, such as a fashion show or fundraiser at a restaurant or bar. Over the last couple of years, Bike Moves has raised about $7,500 for projects like purchasing new tools to maintain mountain bike trails, reaching out to Spanish-speaking riders and helping offset a bicycle coach’s medical fees when he was hit by a car.

“Bike Moves is one of my favorite parts of the month, and something I do to feel connected with the community,” says Epperson. “While we live in a relatively bicycle-friendly city, the reality is that bicyclists tend to feel a little exposed and on their own sometimes…..with Bike Moves, you feel like you belong. Everyone belongs. Also, cycling tends to be destination oriented—you have to get to work or to school, or you’re training for a race. With Bike Moves, there’s no agenda, no destination, no rules other than the rules of the road and being courteous.”

Hygelund, a mechanical engineer, agrees with the community-building aspect of the event. He introduced the concept to Santa Barbara after experiencing something similar in San Luis Obispo, as a student at Cal Poly, and sets the themes each month. “Because of Bike Moves, I’ve become a lot more involved. I joined the board of Santa Barbara Bicycle Coalition and volunteer to help maintain mountain bike trails. I feel more connected.”

Part of what helps create that spirit is that all cross-segments of Santa Barbara participate. While Bike Moves is particularly popular with the 25 to 35 age group—in part because the event is largely advertised through Facebook and other social media—participants range from children under 10 years old to riders in their 60s and 70s. “I’ve brought my mom a few times,” says Hygelund. “I don’t think it’s intimidating. One month the theme was Twins, and she dressed as a double helix.”

He continues, “I’m always amazed during the ride how many fun and new people I meet. Everyone’s got a smile on their face and is genuinely enjoying something totally free. Our only common thread is our bikes.”

For more information about Bike Moves, visit www.sbbikemoves.com.

 

 

 

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Off the Wall at SBMA

Wind in the Valley- Nina Hyatt

 

Join Santa Barbara Museum of Art supporters for a creative fundraiser, Off the Wall,on April 20, from 6-9 p.m. at the Ridley-Tree Education Center. The third annual rendition of this popular fundraiser features more than 100 regional artists and benefit SBMA’s education programs, acquisitions, and exhibitions. Enjoy refreshments and music before the evening’s big excitement as the suspense of what art of work they will take home increases. Tickets are randomly drawn and  guests then select a work of art “off-the-wall” to take home. Media represented include oils, watercolors, acrylics, pastels, assemblage, collage, sculpture, and photography by the well-known and local artists, Dorothy Churchill-Johnson, Ron Freese, Anne Luther, Rebecca Fraser and Nance Cole. For more information and to view the featured work, visit www.sbmawb.org.

Sargasso- Lauri MacMillan

 

 

 

 

 

 

 

 

 

 

 

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James Hapke Prints at The Arts Fund

The Arts Fund will have a new exhibition of prints by the 2011 Individual Artists Award winner, James Hapke in the The Arts Fund Gallery from March 23- May 19. The exhibition will open with a public reception for the artist on Friday, March 23 from 5:30- 7:30 p.m.

James Hapke: Prints will present a diverse range of works on paper by Hapke. His prints communicate an honest sense of discover and self-examination. Hapke creates collographs, lithography, etchings and aquatints to uncover ideas relating to the passage of time in both the human body and the geological landscape through the use of layering images.


He was one of three artists who received The Arts Fund’s Individual Artist Award in 2011. These awards identify and reward artistic excellence in Santa Barbara County. This solo exhibition is part of the award. This event is free and open to the public.

For more information please contact The Arts Fund at 805/965-7321 or visit www.artsfundsb.org.

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In the Kitchen With Chef Kim Schiffer

We spend quite a bit of time with the people whose homes take center stage in our architectural features, and we all fell a little bit in love with the Schiffer family, who share their heartwarming tale of rebuilding their Mission Canyon home after losing it in the Jesusita fire (“From Hope to Home”) in the winter issue of Santa Barbara Seasons Magazine.

Family, friends and food are foremost in the hearts of these lovely people, and the food part of that equation is on full video display as Kim Schiffer, a professional chef, gives us a tour of her dreamy “kickass kitchen.”

Trust us, the food was every bit as delicious as it looks!

 

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Quick–Don’t miss the Quick Draw Art Festival

The art scene has never been so action packed! Los Olivos’ 25th Annual Quick Draw Art Festival is here along with its main events—literally a “Quick Draw” creative challenge. Artists have only 60 minutes to create a painting, sculpture or drawing from a model, photo or simply pure imagination, while the public is encouraged to watch and cheer the artists on, which always lends to exciting and lively interaction. As soon as the hour is up, each piece is auctioned off to the highest bidder. Get a glimpse of some of what you might see by checking out this year’s participating artists:

Vicki Andersen
Betty Carr 
Howard Carr
Gwen Cates
Jim Farnum
Julie Fish
Priscilla Fossek
Ted Goerschner
Richard M. Greene
Ron Guthrie
Gary R. Johnson
Sheryl Knight
Lee Kromschroeder
George Lockwood
Joe Mancuso
Joe Milazzo
Vel Miller
Linda Mutti
Richard A. Myer
Cathy Quiel
Camille Renga-Dellar
Ray Sevilla
Marilyn Simandle
BJ Stapen

To allow room for all the activities, this year the festival runs two days—August 19 and 20. Creative art, wine, shopping and hospitality are featured throughout downtown Los Olivos. The festival kicks off Friday, August 19th with an art, wine and dessert pre-show reception. Saturday the 20th features the main event, with artists beginning their Quick Draw works around 11 a.m. and followed by the auction at 12:15. The afternoon is then dedicated to free artistic demonstrations and the chance to purchase more art. Proceeds support Los Olivos’ on-going beautification efforts, with a strong emphasis on the arts of course.

For more information, check out events at Los Olivos or the Wilding Art Museum.

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Let the Fiesta begin at 1st Thursday in August!

First Thursday is this Thursday.

Visit downtown Santa Barbara for an evening filled with FREE art, culture, music and fun! The August 4th event will include more than 30 cultural art venues eager to show off exciting new exhibits, welcoming artist receptions, intriguing demonstrations and energetic live music.

These assemblage pieces and more by Rod Lathim will be on exhibit at Plum Goods.

Santa Barbara’s richest tradition, Fiesta, is woven into this month’s 1st Thursday programming as venues showcase artwork that embodies the unique spirit of the festival and this year’s theme,  Celebrate Santa Barbara! Kick off the annual festivities at Pierre Lafond Wine Bistro with a Fiesta art exhibit and live Spanish guitar performed by Carlos Gonzales. Make your way to Au Bon Climat Tasting Room to view recent Santa Barbara cityscapes by local plein air artist Chris Potter and watch him in action as he paints an original piece on site for your viewing pleasure. A mix of horses and people make up A Celebration of the Elegant and Festive Old Spanish Days by Birgitte Aarestrup on view at CASA Magazine. Aarestrup’s work reveals behind the scenes images of the popular and historic Old Spanish Days fiesta parade and will be accompanied by live music. Plum Goods is proud to feature a collection of assemblage pieces from artist Rod Lathim, a fifth generation Santa Barbaran. His evocative work reflects his love of story-telling and his life-long passion for the visual arts.

The excitement of Fiesta continues at Bella Rosa Galleries with Pali X Mano, an exhibition that includes small whimsical figurative abstracts influenced by surrealist artist Jean Miro and small non-figurative art-plays influenced by Jackson Pollock. The exhibition will be accompanied by live Flamenco guitar performed by Travis Loughridge. Artamo Gallery will display an exhibit aptly named Fiesta that features the work of Mexican-American artist Agustin Castillo. Presented are his latest, very lively abstract compositions in bold, Fiesta-like colors. Make your way to the Architectural Foundation Gallery for a solo exhibition by renowned regional artist Rafael Perea de la Cabada entitled Spaces We Touch/ Espacios Que Tocamos. This exhibit presents a new series of works on paper and will include a festive reception with the artist. Finally, head up to the Santa Barbara Frame Shop and Gallery to preview the works of the Santa Barbara Studio Artists Tour, a collection of art by more than 40 local area artists.

While 1st Thursday offers extraordinary exhibits and paintings indoors, be sure to check out the performance art and live music outdoors. The Linda Vega Dance Studio will take over Paseo Nuevo Center Court with ¡Flamenco! Santa Barbara, the first flamenco company comprised solely of young dancers directed by Vega. Vega has contributed toward shaping the course of Spanish dance in Santa Barbara by presenting innovative music, costumes and choreographies. Guitarist Shaun Sanders will delight patrons on the patio at 900 State Street with his musical style based on the tradition of the Spanish guitar while Casa Dolores leads a Paper Flower Creation Station, just in time for the Fiesta celebrations, at the corner of Anapamu and State Streets.

All of these attractions and many more are FREE during 1st Thursday on August 4th.  For more information and a complete listing of the specific programming at each gallery as well as all public performances and interactive exhibits, go to www.santabarbaradowntown.com.

–Ashleigh Davis, Santa Barbara Downtown Organization

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Free Concerts at Chase Palm Park

One of Santa Barbara’s best summer traditions is the free concerts at Chase Palm Park on Thursday nights from 6:30 – 8 p.m. during the months of June, July and August. Pack up a picnic and dust off your dancing shoes for tonight’s show with the Soul City Survivors’ special brand of “Hot Buttered Soul.”

 

 

 

On Thursday July 28 it is the oldies but goodies tunes of Captain Cardiac & the Coronaries,

then there’s a break for Fiesta, followed by local youth bands False Puppet, Jaded Cloud, Bad Jack and more on August 11.

Then the final show of the season, a Sgt. Pepper Beatles Tribute on August 18.

 

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